Wednesday, September 19, 2012

[Kickstarter] "Beyond the Sun" Edited by Bryan Thomas Schmidt

Kickstarter fascinates me with the potential for the community to push onward a project into creation without  the traditional channels or as a means to find traditional channels to create a project. It's wonderful and I get to observe it more or less since I am outside the US, but that doesn't mean that the projects don't catch my fancy. The newest one that I find completely brilliant and composed of extremely talented writers is edited by Bryan Thomas Schmidt and co-edited by Sarah Chorn.


Colonists take to the stars to discover new planets, new sentient beings, and build new lives for themselves and their families. Some travel years to find their destination, while others travel a year or less. Some discover a planet that just might be paradise, while others find nothing but unwelcoming aliens and terrain. It’s not just a struggle for territory but a struggle for understanding as cultures clash, disasters occur, danger lurks and lives are at risk. 20 stories of space colonists by both leading and up and coming science fiction writers of today. Mike Resnick revisits the Hugo, Nebula and Homer winning universe of his Africa stories. Grandmaster Robert Silverberg examines what happens when Jews tired of fighting for their homeland start over on a planet then must deal with a dybbuk (spirit) and aliens who wish to convert to Judaism. Autumn Rachel Dryden has colonists threatened by alien animals which burst out of shells on the ground like piranhas ready to feed on flesh. Jason Sanford has Amish colonists on New Amsterdam finding their settlement and way of life threatened by a comet and the English settlers who want to evacuate them. And a new story from Hugo and Nebula-winner Nancy Kress.

Space colonialism remains as one of the most recognizable science fiction trope, but I have to say that with the trend of realism in science fiction and gritty streaks, it's time to bring back the idealism and positivism of the genre. Reinvent it.

You can find more about the project at the official Kickstarter page. Clash of cultures has always interested me and given Bulgaria's cultural experience with being a colony to the Ottoman Empire gives me insight as to the dark side of colonialism. I feel fantastically excited to have been asked personally to take one of the few invitations to compete for a spot among Resnick, Silverberg and Kress. Keep an eye on this one, people.

Tuesday, September 11, 2012

Whose Book Reviews Do You Trust?

Bad author behavior has been a trending topic that's been popping up for the past two weeks with enough frequency even for me to pick up that the authors of right now think they are in a MMO real-time-strategy, where they mobilize small armies and wage war against the rest of the Internet. 

I can't help, but imagine what's happening right now in the publishing world as a warped, sales-bent version of Heroes. I have heard of an author who sics fans against people with less favorable opinions of their books, authors who bash the books of rivals via anonymous profiles and authors who buy reviews online. I'm not really going to comment on the details of the current shit storm since others have done so far better than I (Steve Mosby and Alan Baxter have been eloquent enough to sum up). 

The current situation with reviews is dire, because Baxter says "reviews are the life blood of authors" (paraphrasing from a conversation on Facebook) and if we can't trust the veracity of reviews on Amazon, which are the customer's primary guideline as to the quality of a book, then what happens? I can't answer how this problem can be solved. I think that fake, marketing copy reviews and wars with fake negative reviews are still in their infant stages. As authors learn the ins and outs of the Internet, the skills to create fake buzz will only branch out. 

However, the dialogue is now beginning and I hope the culture surrounding the reviews and how they're obtained will change towards the better. What I'm a bit more interested in is whether the trust in reviews has been betrayed within the community itself? Do you still trust what reviewers write about books anymore? More importantly, whose reviews do you trust? 

I've been a reviewer for a significant time period and reading reviews has been an integral part of my education as I pick skills along the way. Over the years I have picked up words (hyperboles), phrases (comparisons, generous predictions) and structure of the review (speaking vaguely about the quality of the book with no details or just heading for an emotional reaction that seems rather out of place). If a review doesn't have an ounce of depth or show me the book has had a genuine effect on the reader either emotionally or intellectually, I disregard the review altogether. 

I'm sure other writers, other authors and other book aficionados have an eye for whether a review is sincere, but sometimes that eye might not catch the lie. Who can vouch for this and that reviewer, especially on Amazon. I don't use Amazon for my book buying and I don't intend to ever again. Big sites like Amazon are the perfect target for fraud, because they allow for anonymity so I naturally stay away from Amazon. Do you value Amazon high in terms of trustworthiness? 

Whose reviews do you trust anyways? Do you go to GoodReads or do you trust a site like LibraryThing? Do you log into forums and what is your relationship to the reviewer? I believe that these are the questions that people are asking and answering for themselves right now or at least should be asked and emphasized on. If authors try to cheat, then it's quite necessary for readers to recalibrate whatever defenses they have against fraudulent behavior.

I think that a discussion about how to make authors abandon these cheap tricks is necessary and I think it has already begun, but by answering the question of whose reviews we trust alongside, we will be able as a community invested in literature to help the occassional book buyer to avoid a potential scam. 

What do you think?

Monday, September 10, 2012

[Book] "Tales of the Nun & Dragon" edited by Adele Wearing


It's Monday and I do enjoy, when a Monday starts on a good note. Today is the official publication date of Fox Spirit Books' debut in the 'Bushy Tales' anthology series, "Tales of the Nun & Dragon", edited by Adele Wearing. For all interested, you can find the ebook through the American and British Amazon and if indie is your life blood, through Wirzards Tower Press as well, though that will be available in the coming days. 

  
‘Tales of the Nun & Dragon’ features twenty three stories by a mixture of well-known and new authors who offer up a delightful blend of genres. There are zombie dragons, latex nuns, trips through time, nunsploitation and some unusual fantasy tales and fables. The book also features internal illustrations by artist Kieran Walsh. 

To celebrate the launch of ‘Tales of the Nun & Dragon’ and in honour of International Talk Like a Pirate Day we are running a small contest.

Between now and the 19th September 2012 we will be taking open submissions of flash fiction (up to 1000 words) on any interpretation of the subject of pirates and piracy. The three best stories will be posted on the Fox Spirit website and their authors will receive a hard copy of Tales of the Nun & Dragon once it becomes available. They will also be invited to submit for a place in one of the two Bushy Tales anthologies planned for early 2013, ‘Tales of the Fox and Fae’ and ‘Tales of the Mouse and Minotaur’.

Competition entries must be sent as a pdf or word doc, to adele@foxspirit.co.uk and titled ‘Pirate Flash’. Any entries over the 1,000 word limit will not be considered.

I've had a fun time following the exploits of Adele Wearing in the publishing world. I'm a huge supporter of Fox Spirit Books and so far, I'm very happy about the decisions that go behind each launch. That's the way a small press should move through the world. 

Early reviews have been favorable as well. The Eloquent Page and Tony's Thoughts have found the anthology to be delightful and with some free time on my hands, I will share my thoughts on it as well. 

Monday, September 3, 2012

[On Writing] Logistics behind a Title

Yesterday, I wrote the final lines of my erotica short with horror elements and superheroes entitled "Pages & Play Things". I'm positive about this project as it started with a less of a bang, but as I continued writing I've rediscovered the way to translate my thoughts in projects, something I have been fearing given my absence from writing for a long time. 

Two peculiar things happened with this project. First, I had to fiddle with the story itself and first write 2,000 words before I finally heard the story click with me. And the second has to do with the title itself. If you have talked about writing with me, you will know that I start first with the title. The title is the name of the story and when I sit down to talk to the story, let it come to me, I like to know who I'm talking with. After all, my mother has taught me not to speak with strangers. 

When I don't have the title, I don't know the story. "Pages & Play Things" I think captures the subject matter of the story (a special book, which exists in defiance to the cultural and technological background of its story world) and the genre, a mixture of the erotic and nefarious. After all, Eros and Thanatos walk hand in hand. 

Before the story received this title I started with "Big Powers in Small Tights", which played with the super hero elements heavily, the eroticism of tights and the humor of my main character. Eventually, I decided to down play the humor and dial up the erotic heat and re-titled to "Teamwork", which in the context of the genre should more or less speak for itself.

Although this title is now perfect for creating the steamy images I want to elicit from the title alone, I wasn't  all that happy how it disconnects from the actual plot. The crux of the story lies within the intense diametrical oposition of the protagonist with his teammates. By that time I thought that maybe I need to hint at the plot, so I settled for "The Book That Wants to Play", but as I fitted the title in my mind, my writing devoured all the humourous bits and substituted them with weird, budding elements of horror, so I had to lose the B-movie vibe. 

As I penned the ending and logged into Facebook to announce how happy I felt at the completion of this one story, I didn't feel the title was right and as I wrote the status update "Pages & Play Things" rolled off on the keyboard. What do I think the perfect title should be? 

I think it should convey the tone of the work (the aliteration hints towards the writig style), should hint of the genre or at the very least the story archetype ("play things" whispers a bit about that) and should point at the focus of the story (the book). Sometimes all three elements can't be incorporated, but a combination of two should suffice. 

Sunday, September 2, 2012

[Sound of Sunday] Pretty Reckless & Robyn

Today is the day I finally completed a project I have started two weeks ago give or take. It's good to have a story completed and after much contemplation, I think the title "Pages and Play Things" have stuck for real as I will probably discuss later, but as I wrote I was heavily under the influence of two diametrically opposed artists. Both are female, blond, gifted vocalists and lyricists.




What have you been listening to?  

Saturday, September 1, 2012

[Cover Art Post] Pandemonium Books: Lost Souls & Crossroads

I have been a tremendous fan of the Pandemonium Books series, since my friends Jared Shurin and Anne C. Perry decided to take a stab at the publication business. Kudos to them as they have succeeded in doing what a lot of small presses have not right from the get-go and that is create quality products. Their first titles include stories by a number of writers I know and respect, which on itself is rather impressive as you can see how much trust and mutual respect goes around and comes around. 

However, what I find highly impressive is that this editor duo make no compromise with the quality of their anthologies and this can be seen in the newest titles, which are now available for purchase. 

"Lost Souls"
"Crossroads"


Monday, August 27, 2012

Art: "Tales of the Nun and Dragon"

This is a bit overdue as I have been absent-minded all August, which seems to be rather predictable for me this years in particular. Now, I would like to draw your attention to a fun project entitled "Tales of The Nun & Dragon", which will soon be published by Fox Spirit Books.

Here's the official blurb: 

"The Nun & Dragon is an old pub, although not England’s oldest. Still, even before a pub stood there the site seemed to draw travellers who had a tale to tell. It sits in a small English village with one of those odd names like ‘Barton on the Beans’ or ‘Sheepy Magna’, though it isn’t either of those. 
It’s not a place you find by looking, it’s a place you stumble across when your armour is scorched and bent or your hair bleached white by an encounter with an unholy order. There is a reason it’s known as ‘The Nun & Dragon’ after all. 
It’s a place that draws stories, the kind no one would believe if you told them somewhere else, but here, where the homebrew tastes slightly of honey and cinnamon and the fire is always blazing, people will take you at your word. 
If you collected all the stories ever told at The Nun and Dragon you would see all of history and culture from our world and possibly, if the tellers are to be trusted, beyond it, gathered there."

What you might not know, however, is that I have received a copy of the illustrations, which will appear in the book itself. Drawn by Kieran Walsh, these are pure monochrome beauties that bring out the nostalgia in me, even though I'm technically not old enough to demand nostalgia rights. 








Wednesday, August 8, 2012

The Parsec Award Finalists Announced

Today has been all about awards. As the World Fantasy Award Nominations have been announced, I have received news that Tales to Terrify has been short-listed for the category Best New Speculative Fiction Podcaster/Team. 

Best New Speculative Fiction Podcaster/Team
Brief Description: This person or team is new to podcasting in the past Parsec eligibility year, becoming a significant voice that has contributed to the community as a whole.

You can find the original post on the Parsec Award site. 

Quite naturally I am at a loss of words, because working as an editor for Tales to Terrify feels like a normal and extremely pleasurable way to spend my days, so the concept of receiving an award is utterly awesome and right out of the blue, because I still think achievements like these unlock with a blinding light.

Since it's almost midnight I will sleep on this and provide a follow-up post. That's it from now! 

Monday, August 6, 2012

Proper Etiquette When Filing Your Work

This perplexing and daring piece of photography is courtesy of Dutch photographer, Erwin Olaf.
This post is inspired by my miniature heart-attack, when I remembered incorrectly where I have stashed one of my earlier projects and couldn't find it. I understand why everyone prefers digital filing systems, at the very least you are confined to one box. When you have torn off pages stashed "somewhere", there's a goose chase, if I have ever seen one. 

Writers, learn this lesson and learn it well. 

DO: Make a note of the place, where you store any physical writing you make. It would be best to have one central stash for these miscellaneous pages. PRO TIP: If your memory is unreliable and it has gotten you in all sorts of trouble before, home-made library card, darling! 

DON'T: Promise yourself you will surely remember in a year's time the exact location you slipped five torn-off pages. Memory don't work that way, sweety. PRO TIP: Don't think of thinking "I will type it up later", you hear me. Your scumbag brain will trick you into losing the pages! 

  

Wednesday, August 1, 2012

Things No One Tells You about NOT Writing

Harry Markov
Piece by Alberto Cerriteno.
I'm returning with the image
of the day feel to my blog. 

With much scrapping through the coffin’s wooden lid and elbowing through dirt, the blog has arisen from the yonder to feast on the righteous flesh of those who have succeeded it. Fear its indiscriminate trolling, ill mannered finger pointing and infection-sprouting referral links that will spell your doom.

Long story short, I have graduated from university.

Achievement unlocked: Bachelor in International Economics.

Finally, a writer with the knowledge and understanding of spending habits OR you know, the harbinger of our world economy’s end; whichever comes first I say.

On to the good stuff, eh? It’s been precisely one month, twenty-two days, five hours and forty minutes since my last post (I’m writing this on a Saturday, so it will probably be longer by the time you see it, but I’m not a stickler for numbers). Thankfully, this period does not apply to my sobriety.

During my absence, my blog’s reached 30,000 hits according StatCounter. My gratitude to all image searches and the people, who typed in “rule 34 Justice League”, “naughty time DC” or my favorite “sexy Baba Yaga”. Nothing lights my heart brighter than a quest for a serviceable geriatric of the occult variety. Given the less savory searches, I think I may have discovered a potent niche within visual pornography. 

Although I have been boldly going where no writer desires to half-step in (reality) and my ten tireless digits have slaved over the keyboard, I have been writing non-fiction, rather than what I really wanted to write. Priorities demanded I secure a juicy diploma and a steady income, so I don’t feel as if I have betrayed my purpose as a writer. If someone preaches that you have to write no matter what, then you should shoot said person in the face, because if writing causes unnecessary pain (after all the expression goes ‘suffering for’ and not ‘from’ your art), what’s the point in doing it.  

Regrets aside, I have learned a few things about not writing, which I think no one mentions as valid lessons for writers. Sometimes you have to not write and tackle other obstacles, but the moment you return to your writing projects, you will come head to head with several issues. I believe that most writers should prepare psychologically for these challenges.   

You Become the White Rabbit.
Everyone knows the white rabbit from Alice in Wonderland, the perpetually out-of-time tiny fluff ball of fucker in a petticoat. You become him. I became him (minus the petticoat) and I still haven’t repositioned my posterior with the intent to create. By now I should have finished with detailed prep-work for a novel series in the works for the last two years concept-wise.

Yes, prep-work for some doesn’t qualify to prance around with a status ‘full-fledged writing’ (though I protest the second-class citizenship some writers attribute to prep-work). Yet, for all intents and purposes, prep-work is writing.

What in the seven hells happened?

My space-time-continuum healed itself, which is a very fancy phrasing to explain slapping a band aid on my schedule, where the writing used to be and allow for my routine to change. I have unlearned the lessons about discipline. I have forgotten the sacrifices, their importance and I hop around much like the White Rabbit, constantly out of time. Perhaps Lewis Carroll could have given the bunny an organizer, but either way, be prepared to fight for your right to write all over again.     

You Have Drunk from the Waters of Lethe.
In Greek mythology, the waters from the river Lethe caused loss of memory. Now substitute drinking the waters from a hell river with watching television as a favorite pastime and you’ve got yourself a writer in abstinence.

During the months in preparations for exams, I had long periods of ADD (I’m only tentatively ascribing the condition to myself), where I couldn’t sit down to write. Naturally, my brain did its best to hide all writing tools (as if it prepared me for a treasure hunt) and erase their user instructions. I’m struggling with this mildly humorous, mostly self-serving post.

Sentence variation, masculine verbs and active voice? What were they? Coming back from a long spell of not writing will most likely mean that you will have to teach yourself your style from the ground up. Unless you are exceptional, then I hate you.

Your Mind Is a Sleeping Beauty.
Wait, what?

Yes, your mind, though in all honestly it’s just the part in charge of writing, which has slipped in a night gown, under the covers and has forgotten to set its alarm clock. Cue the handsome love interest.

Not only did I forget how to write, I forgot how to think as a storyteller. Don’t gasp. I’m still a storyteller, just a pale clone. It happens, when you don’t practice. Writing is not riding a bike; you don’t mount the keyboard and start from a saved checkpoint. Hearing the story, spinning the story, shaping the story into a fresher take on whatever plot you are rehashing from the mono-myth takes more time than you have grown used to.

I remember a writing exercise on the Internet, whose objective was to write ten story ideas in one go without a break. Nothing simpler than writing the core idea, the story’s backbone. Ten backbones. Pretty easy, right?

The first two or maybe three pose no challenge. However, they are the most obvious ones, the ones your imagination has seen done elsewhere and cached for a quick use later on. To access your mind’s full capabilities as a storyteller, you have to dig deeper, which is something I’ve to repeat once again.   

My personal lesson with not writing boils down to ‘one step forward, two steps back’. I have not fallen beyond salvation, but I’ll have to scrape the rust off my tools.

What are your stories from times, where you had periods of not writing?