Sunday, November 27, 2011

[November 27th] Julianne Moore & The Succession in Art

The story I’m writing at the moment [titled “Blinding”] incorporates Bulgarian folklore, lore and fables. It’s echoing the path “Fables” and Neil Gaiman’s “American Gods” in terms of transplanting characters from their plane of existence and their endings into our current state of reality. Considering that the inclusion of mythical beasts is a popular practice in the genre of Urban Fantasy as it is, I don’t consider breaking new horizons, other than contributing to the expanding story pull. 

The act of writing “Blinding” has me thinking about succession in art and the establishing of a permanent continuity that feeds the collective memory to newer generation through different retellings. “Fables” reintroduces fairy tales to children, who prefer comic books to regular old books and “American Gods” has peaked my curiosity as to the different deities, other than the Greek or Norse ones. Succession in art is common. 

The 80’s synth beats are reliving their glory days in nouveau electronic, pardon my French and the style of the 1950’s [which has influenced visual arts heavily] sneaks in movies, music and an eternal pin-up movement. Which brings me to Julianne Moore, Harper’s Bazaar and a very couture incorporation of famous paintings. Julianne Moore’s photo session has her adopt poses and style of some of the most breath-taking paintings in the last century, along with new creations. I've expected nothing else from Julianne Moore, who is a style icon in the celebrity circles. This concept photo shoot is quite exciting as it shows these memorable works in a completely new medium, which is far from the remakes that we see.

“Adele Bloch-Bauer I” – 1907 – Gustav Klimt 

“The Cripple” – 1997 – John Curring 

“Man Crazy Nurse #3” – 2003 – Richard Prince 

“Seated Woman with Bent Knee” – 1917 – Egon Schiel 

“Madame X” – 1884 – John Singer Sargent 

What do you think about succession in art?